![]() ![]() He was vocal in his support of the coal miners’ strike in 1926 and of the General Strike that followed, and soon afterwards joined a Marxist study circle at the home of the trade unionist Alan Hutt. In England, Anand quickly became involved in left wing politics as well as the Indian independence movement. ![]() On his arrival he registered at University College London to study for a doctorate in philosophy which he was awarded in 1929. He was just nineteen years old when he left India for England on a scholarship to mark the silver wedding of George V and Queen Mary. Born into the Kshatriya (warrior) caste in the Punjabi city of Peshawar, he was educated at cantonment schools before completing a degree at the University of Punjab, Amritsar, where his involvement in the 1921 Civil Disobedience campaign against the British resulted in a short period of imprisonment. Ever.Mulk Raj Anand was a distinguished writer, critic, editor, journalist and political activist. You will get full access to divisare archive and you will help us keep the lights on.ĭivisare subscription is free for teachers & students No Ads. If you like what we’re doing, please Subscribe. No click - like - tweet - share, no advertising, banners, pop-ups. This is why Divisare is a place to perceive architecture slowly, without distractions. Instead of hastily perused information, we prefer knowledge calmly absorbed. Instead of a quick, distracted web, we want a slow, attentive one. Patient work, done with care, image after image, project after project, to offer you the ideal tool with which to organize your knowledge of contemporary architecture. Join us in taking a stand against the short attention architecture media.ĭivisare is the result of an effort of selection and classification of contemporary architecture conducted for over twenty years. It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2. ![]()
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